Ten Lessons on Filmmaking from David Lynch
Kristen Stewart on Suppressing Emotions and Giving in to First Love
Francis Ford Coppola: On Risk, Money, Craft & Collaboration
Ten Lessons on Filmmaking From Wes Anderson
20th Century Women: Mike Mills on Bringing a Personal Story to Life
Venice: Oscars’ First Female Best Director Nominee on Why Only Four Women Have Been Nominated
James Cromwell on ‘The Young Pope,’ “Radical Politics,” America’s Need for “Revolution” (Q&A)
Richard Madden on Playing a Medici, New Show ‘Oasis’ and Those ‘Game of Thrones’ Rumors (Q&A)
Venice: ‘Arrival’ Director Denis Villeneuve on His Love of Sci-Fi, Female Leads and Taking on ‘Blade Runner’
Director of Oscar-Nominated Doc About Refugees on Trump’s Travel Ban: “What’s the Point of This?”
Richard Gere: “We Have to Create Societies Where the Bad Guys Aren’t at the Top.”
Patricia Arquette: “We Need to Take Back the Word ‘Feminist'
Ethan Hawke Hopes ‘Good Kill’ Will Lead to U.S. Drone Policy Debate
Venice: Al Pacino’s Not Afraid of Getting Older
Oscars 2015 Foreign-Language Spotlight: Poland’s ‘Ida’
From ‘Hobbit’ to ‘Captain America’: Martin Freeman Talks About Franchise Roles
Horror Master Dario Argento on Fear and Happiness (Q&A)
Sorrentino Cinematographer Calls Film School “Absurd,” Touts Digital
“Creation is Still a Great Adventure”: 5 Questions for Salt of the Earth Director Wim Wenders
Italian Documentary Explores Real-Life, Contemporary Exorcisms
Cannes 2015: Five Questions For Tale of Tales Star Salma Hayek
10 Lessons on Filmmaking from Beasts of the Southern Wild’s Benh Zeitlin
10 Lessons on Filmmaking from Director Ken Loach
JR on Art, Experimentation, and Keeping Your Freedom
Marjane Satrapi: On Artistic Freedom, Fame & Finishing No Matter What
Cannes: Italy’s Nanni Moretti on Why Directors Are “Assholes”
Terry Gilliam: On Ideas, Unlearning, and Avoiding Debt
Cannes: ‘Welcome to New York’ Director Abel Ferrara on Working With Gerard Depardieu (Q&A)